Post Apocalyptic Womble
Post Script 
A group art exhibition at the Merton Priory archaeological site,
Colliers Wood, London: 8, 9 and 15, 16 October 2011
The Chapter House ruins, once part of the massive and historically important Merton Priory (destroyed by Henry VIII), are the site of an exhibition of contemporary art during the first Merton Arts Trail this October. 
Curators Sue Evans and Wendy Bliss have chosen ten recent graduates, mainly from Wimbledon College of Art, who will be showing work made in response to the heritage site.  Steeped in history, the many artifacts found during various excavations of the Chapter House over time, have been catalogued and stored in the archives of the Museum of London. Some of these will be on display during the exhibition, being aired for the first time in many years, as the artists have chosen one or more to support their artwork installations. 
Participating artists are Robert Aldous, Jane Bailey, Wendy Bliss, Sue Evans, Maxwell Flood, Fiona Leighton-Crawford, Fiona Long, Helen Newhouse, Maxine Pringle and Chris Rowe.

Post Script

A group art exhibition at the Merton Priory archaeological site,

Colliers Wood, London: 8, 9 and 15, 16 October 2011

The Chapter House ruins, once part of the massive and historically important Merton Priory (destroyed by Henry VIII), are the site of an exhibition of contemporary art during the first Merton Arts Trail this October. 

Curators Sue Evans and Wendy Bliss have chosen ten recent graduates, mainly from Wimbledon College of Art, who will be showing work made in response to the heritage site.  Steeped in history, the many artifacts found during various excavations of the Chapter House over time, have been catalogued and stored in the archives of the Museum of London. Some of these will be on display during the exhibition, being aired for the first time in many years, as the artists have chosen one or more to support their artwork installations. 

Participating artists are Robert Aldous, Jane Bailey, Wendy Bliss, Sue Evans, Maxwell Flood, Fiona Leighton-Crawford, Fiona Long, Helen Newhouse, Maxine Pringle and Chris Rowe.

Me and my Dad making wooden hoops. Bush-craft aided by a mains powered steam machine!

Me and my Dad making wooden hoops. Bush-craft aided by a mains powered steam machine!

Economies of Resistance: Call for artists
Criteria  

Open call for designs articulating your visions for resistance and social change, including proclamations, manifestos and more. A south London market stall will function as a lo-fi discussion platform on International Labour Day (May 1st) with related events throughout the day. The project aims to proposition positive changes to neo-liberal dogma whilst generating dialogue between different opinions involved. Your participation will help to locate and establish alternative visions; providing a comprehensive snapshot of contemporary social, political, cultural and ethnic aspirations. Limiting submissions to A4 format or smaller, interested artists are urged to develop an economy of means, offering cultural agency in accessible and proliferative form for an age where culture is often consumed in bite-sized pieces.

Deadline

29/04/2011

Details

For consistence, unity and for ease of postage, transportation and dissemination works are requested to be no larger than A4 size (210 x 297mm). Original works cannot be returned. Conceptual works or related performance proposals are welcome. Events scheduled for Sunday May Day 2011 10am-4pm at Tooting Market as part of the Market POST programme. There are no submission fees and no work will be for sale. To submit visit www.freespaceprojects.org for full details recitation

Contact

freespaceprojects@gmail.com

www.freespaceprojects.org

A beautiful short film made by Gary Weston to document the first day of our collaborative residency aboard LV21.

After Day X

After Day X

A great article by Kevin Henry comparing sculptor Richard Wentworth’s amazing Making Do and Getting By series of photographs with industrial design researcher Jane Fulton Suri’s images. The article investigates the different motivations and perspectives with which an artist and designer might explore and observe the world through images.

Should you, and if you do, then at what point should you stop?

A beauty of things imperfect, impermanent, and incomplete. A beauty of things modest and humble. A beauty of things unconventional…

The World According To Ion B. A wonderful homeless collage artist with an incredible talent. I just hope it helps to bring him the comfort he deserves. Thanks to Adrian for this link.

Thanks to my FB friend Jonathan Murphy for pointing me towards this fantastic series. I love observational city collections like this, findng the beauty and the art in the world that surrounds us, no matter how unlikely that seems. Happy spotting!